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| The Manufacture Technology of Tripitaka Paper Collected by Wuwei Museum in Gansu Province |
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| DOI：10.11981/j.issn.1000-6842.2014.02.33 |
| Key Words:Wuwei； tripitaka； paper fiber； pigment |
| Author Name | Affiliation | | 王欢欢1 | 1.中国科学院脊椎动物演化与人类起源重点实验室，北京，100044 | | 程爱民2 | 2.甘肃武威雷台汉文化博物馆，甘肃武威，733000 | | 王治涛3 | 3.北京停云馆文化投资有限公司，北京，100102 | | 马清林4,* | 4.中国文化遗产研究院，北京，100029 | | 王昌燧1 | 1.中国科学院脊椎动物演化与人类起源重点实验室，北京，100044 |
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| Abstract: |
| The fiber， filler， pigments of tripitaka paper collected by Wuwei Museum in Gansu Province were analyzed with optical microscope， micro laser Raman spectroscopy， X-ray fluorescence spectrometry and X-ray diffraction to investigate the manufacture technology and conservation status of the samples. The results indicated that tripitaka paper was made of flax， ramie， paper mulberry bark and cotton； filler was kaoline； fibers were retted with lime water and suffered from cutting and beating； paper was dyed with indigo blue， coated with plumbago， the tripitala was written with silver mud， and its surrounding was drawn with hematite. The samples conservation status was unsatisfactory：they were binded， fracture， and damaged by worms seriously， required restoration. This work obviously contributed to the study of religion papers from Yuan to Qing Dynasty at Hexi region and the tripitaka restoration and protection. |
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